Naperville Art: Faith, Hope and Charity

The trouble with murals is that when the wall goes, so does the mural. Planning ahead, the 40th piece in the Century Walk art collection was painted on a removable board that was taken down a couple of years ago and recently re-installed. 

“Faith, Hope and Charity” was sponsored by Euclid Lodge 65, the Naperville chapter of Freemasons, and first unveiled in 2011 on the west wall of Russell’s Dry Cleaners. But after 50 years in business, Russell Breitwieser retired in 2017. The building needed to be torn down, so the Masons put the mural in storage. The outdoor outfitter, Filson, opened in that space this past September, but without the mural. 

Naperville’s Euclid Lodge was founded on October 2, 1849, which means they just celebrated their 170th anniversary last month. In honor of the occasion, they held an open house at their headquarters and rededicated the mural at its new location. You can now find “Faith, Hope and Charity” on the south wall of the Gap on Main Street. 

The mural was painted by artist Marianne Lisson Kuhn. Kuhn, who was born and raised in Naperville, is a familiar sight in the local art community. Other Century Walk art pieces she created are “Naperville Loves a Parade,” “World’s Greatest Artists” and “The Way We Were.” She has also painted several of the fiberglass sculptures that are part of the downtown scene every summer. 

“Faith, Hope and Charity” depicts George Washington and Joseph Naper wearing their Masonic aprons as well as many other symbols of the Scottish rite. 

On Washington’s side of the painting are listed notable Masons such as Winston Churchill, Wolfgang Mozart and Theodore Roosevelt. On Naper’s side are listed local notable Masons such as James Nichols, Lewis Ellsworth and Willard Scott. The first Worshipful Master from 1848, Keith Aylmer, is not listed and others on the list were not Masters at all. 

Behind Naper, Kuhn painted the current lodge meeting hall. The Masons built it in 1916-17 after outgrowing several of their earlier halls. Before 1977, the first floor housed the Naper Theater and the Naperville Running Company currently operates out of the space. During the mural rededication, the hall was open for visitors to tour and ask questions of the members.

Other places Euclid Lodge used to meet include the east part of Empire’s building, Blue Mercury (which was Starbucks until they moved across the street) and the La Sorella di Francesca building, among others. The group’s website features a nice history page with photos of the old locations and past Masters for further information.

Naperville Art: Naperville’s Own

The Century Walk initiative started in 1996 with three works of art: “River Reveries,” “The Printed Word” and “Naperville’s Own.”

“River Reveries” is a grouping of two mosaic-adorned benches across from the Riverwalk near Egg Harbor Restaurant. “The Printed Word” was originally painted on the a wall of The Sun newspaper building until it was torn down and then repainted on a wall at Ellman’s Music until it also came down to make room for Q-BBQ. The third piece, “Naperville’s Own,” is on the wall of what is currently US Bank at the corner of Washington and Jefferson.

Back in 1996, the building was a Firstar Bank and artist S. Michael Re said he was subject to some suspicious stares as he drilled into the bank’s wall to mount the sculpture.

That corner of Washington and Jefferson has long hosted a bank, although the name and even the architecture has changed over the years. Willard Scott, and later Willard Scott, Jr. started a bank in their Washington Street store in 1854. By 1907, the First National Bank was operating on that location.

Re’s sculpture celebrates one of our community’s treasures:  the Naperville Municipal Band. Originally known as the Naperville Brass Band and later as the Naperville Light Guard Band, this organization also dates from the time of Willard Scott as it was started in 1859.

The relief sculpture is meant to show band members marching through history, from the “old” bandstand on the left side to the “new” band shell. There have been several performance centers over the years. The first bandstand was built in the 1880s. You can see a replica of it at the Naperm Settlement today. It was replaced by another wooden structure in the 1920s which was in turn replaced in the 1960s by a bigger band shell. That is the one depicted on the right side of the sculpture, the one still in use in 1996.

Today we enjoy an even newer Community Concert Center which hosted its first Naperville Municipal Band concert in the summer of 2003.

Naperville Art: Reflections on Scotts Mill

The DuPage River of our downtown Riverwalk is technically the West Branch. The East Branch breaks away around 95th Street. Joseph Naper’s first endeavor in town was a sawmill that he later repurposed as a flour mill. But there was a second sawmill on the East Branch operated by Stephen Scott.

In 1825, Stephen moved his family from Maryland to Grosse Point (the Evanston area). On a hunting trip in the summer of 1830, he checked out the DuPage River and decided to relocate. They moved later that year, months ahead of Naper’s settlers.

By 1839, the Scotts were operating a sawmill on the East Branch to help the growing community build homes and shops. A flood washed away the mill in the late 1800s, but by that time the Scotts had already moved into town.

Stephen’s son Willard Sr. became a storekeeper and banker for the fledgling town and Willard Jr. continued the “pillar of the community” tradition. The impressive Italianate house on Washington Street that now houses attorneys was built in 1867 for Willard Sr.

The Scott family rests in the local cemetery — all but Stephen, the first Napervillian — and no one knows where he is buried. While in his 70s, Stephen was caught up in Gold Rush fever. He started for the west in 1849 and died around 1854, but there are no other details on record.

The Scott family’s rise to prosperity, mirroring that of the town, inspired the creation of “Reflections on Scott’s Mill.”

Chicago-based installation artist and sculptor Lucy Slivinski was chosen to create this representation of Scott’s Mill. Slivinski is known for using salvaged materials in her work and this piece features old gears, chains, hooks and other metal pieces reminiscent of a 19th century water-powered sawmill.

The sculpture welcomes visitors to the Knoch Knolls Nature Center, operated by the Park District. Indoors, there are exhibits for families to learn about nature-related topics. Outside, there are trails, bridges and picnic areas. While Scott’s mill and the family cabin are long gone, a map on the trail can give you an idea of where they were located.

Naperville Art: Man’s Search for Knowledge

At Jefferson Avenue and Webster Street is a brick wall mural called “Man’s Search for Knowledge Through the Ages.” Since the wall spans a corner of the Nichols Library parking lot, the title is absolutely appropriate.

The mural is a bas-relief sculpture, a dimensional mural carved directly into the brick face. The images “symbolize the human quest for learning through the ages” from the biblical Tree of Knowledge through explorers in outer space.

“Man’s Search for Knowledge” is the work of Mara Smith, a nationally-known artist who works out of Seattle, Washington. Smith intended to teach jewelry-making and metal-working, but was given the opportunity to create brick murals for a hotel in Dallas which jump-started a new career. Her work is displayed internationally and she has been called “the pioneer of modern brick sculpture" by the Brick Institute of America.

Smith originally created the wall in 1987, years before the 1996 incarnation of the Century Walk Foundation, but the mural was adopted by Century Walk in 1998.

More recently, Smith’s work suffered serious damage when in July of 2016, a driver in the library parking lot accidentally accelerated into the wall, knocking out a four foot by five foot section and shoving a large portion of the rest of it off its foundation.

A Naperville resident who worked for a Broadview masonry company contacted Century Walk and offered their services. They disassembled the wall, numbering each brick as they went, and rebuilt it to stabilize the basic structure.

Century Walk then contacted Diosdado “Dodie” Mondero, the artist responsible for other pieces downtown such as “Naperville Loves a Parade” and “Pillars of the Community,” to fit the brick pieces back together and re-create the pieces that were not salvageable. Mondero worked with a special effects company to match the color and texture of the replacements to that of the original brick and mortar.

The first installation cost about $42,000 back in 1987. The 2016 bill was closer to $50,000 for restoring the mural after the accident.

“Man’s Search” is only one of several public art pieces that were “adopted” by Century Walk to join the many new installations since 1996. The first 30 pieces installed focused on the history of Naperville, but later works added to this local public art “museum” have featured other themes.

December 2, 2018 was declared “Century Walk Day” by the city of Naperville. One of the celebratory events was a fundraiser for Century Walk titled “The Bicentennial Birthday Bash,” in honor of the 200th anniversary of Illinois’ statehood. Also on that day, the 50th piece of public art was unveiled in Central Park near the bandshell. “Laughing Lincoln” was dedicated on a drizzly afternoon and afterward, art and history supporters retired to Wentz Hall. Of course, the not-for-profit also takes donations throughout the year, so if you’d like to help, just go to centurywalk.org for more information.

Naperville Art: Streaming History

The five tile panels of “Streaming History” were installed in 2017 along the foundation of the Water Street development. The artist, Debora Duran-Geiger, works out of Sante Fe, New Mexico and has been creating tile murals for over 20 years. Not only are these porcelain pieces frost-free, but they are impervious to water, which was especially useful when the river overflowed this spring.

Each panel depicts a scene recalling our city’s history. They are titled: Winter on the River, Immigration Celebration, Water Street Yesterdays, Harvest Time and Commerce Comes Alive. Accompanying plaques tell a little about each panel and the donors who commissioned them.

The Commerce Comes Alive scene features business activity from Native Americans and early traders through Rubin’s Department Store, sponsored by the Rubin family.

Sam and Anna Rubin moved to Naperville in 1920. Their first business was the Chicago Bargain Store, later called the Home Department Store. The shop was on Main Street which once was Carousel Shoes and is currently Liam Brex cabinetry.

Sam and Anna lived upstairs and their son Alfred was born there in December of 1920. He was joined by siblings Norman, Lucille and Gertrude. As adults, they formed the Rubin Family Partnership, responsible for many business and civic projects in Naperville, including the namesake Alfred Rubin Riverwalk Community Center across Eagle Street from the library.

Also in the Commerce Comes Alive mural is a tile version of a photograph of some “Bridge Sitters,” a legendary part of Naperville’s past. While certainly folks have always sat on bridges, during the 1960s and 1970s, the city was very concerned about the long-haired hippie freaks that hung out on the Washington Street bridge. While many of the teens were just mildly rebellious, there was also some serious drug trouble and downtown shoppers found the crowd intimidating. Then-Officer Pradel didn’t actually mind them congregating on the bridge, he later said, because “at least we knew where they were.”

Another in-joke depicted is the tiny portrait of Brand Bobosky with his signature bow tie. Brand’s law office used to overlook the river from the building which houses Empire Burger Bar and is now a few doors down Chicago Avenue. Brand is the guiding force behind the Century Walk art initiative.