Naperville Art: The Grinch

Since it’s December, it seems appropriate to wrap up the past year of learning about the artwork sponsored by Century Walk with a holiday-appropriate piece: “The Grinch.”

This faithful three-dimensional adaptation of the beloved Dr. Seuss character was installed in 2012 outside of the Naper Boulevard library. It was the third Dr. Seuss statue that Century Walk placed in front of a library. “The Cat in the Hat” was installed at Nichols Library in 2007 and “Green Eggs and Ham” was installed at the 95th Street Library in 2008. Now each of Naperville’s libraries has a Dr. Seuss statue to greet the city’s youngest readers.

All three of the statues were created by artist Leo Rijn. Audrey Geisel, the widow of Theodor Geisel (who wrote as Dr. Seuss), started The Art of Dr. Seuss Collection six years after her husband’s death and Rijn was chosen to create bronze renditions of these favorite books.

Theodor Geisel actually created quite a lot of art in addition to the book illustrations, most of which was never displayed during his lifetime. Not only did Geisel illustrate his books and paint, but he also created the Unorthodox Collection of Taxidermy. He “stuffed” and “mounted” totally invented creatures similar to those in his books, often using actual horns, beaks and other parts from deceased zoo animals. Audrey fulfilled his wish to share his “secret art” with the public by launching the Dr. Seuss project in 1997. The collection includes limited edition reproductions of his original art as well as interpretations of his work by other artists, such as these sculptures by Rijn.

A number of bronze statues were created by Rijn for the the first Tribute Collection. In addition to the three installed by the Century Walk in Naperville, other characters he sculpted include Horton, the Lorax and the Turtle Tower.

Rijn was also commissioned by Universal Studios to develop scale models of Dr. Seuss characters to be used at their theme park in Orlando. Seuss Landing, for the youngest park visitors, features several of Rijn’s Dr. Seuss sculptures and the buildings and decor were all influenced by his art direction.

When not sculpting Dr. Seuss characters, Rijn works on Hollywood film projects. His art has appeared in films from “Masters of the Universe” to “Star Trek” to “Thor” and he has worked with likes of Tim Burton, Steven Spielberg and Ang Lee.

All of the Dr. Seuss statues are familiar landmarks at Naperville’s libraries. In past years, The Cat in the Hat at Nichols Library has been “yarn bombed” during the winter, making it look like he is wearing a brightly-colored sweater against the chill and and people often take selfies in front of the statues. In fact, getting a photo of yourself with The Grinch could make a nice Christmas card!

Naperville Art: Faith, Hope and Charity

The trouble with murals is that when the wall goes, so does the mural. Planning ahead, the 40th piece in the Century Walk art collection was painted on a removable board that was taken down a couple of years ago and recently re-installed. 

“Faith, Hope and Charity” was sponsored by Euclid Lodge 65, the Naperville chapter of Freemasons, and first unveiled in 2011 on the west wall of Russell’s Dry Cleaners. But after 50 years in business, Russell Breitwieser retired in 2017. The building needed to be torn down, so the Masons put the mural in storage. The outdoor outfitter, Filson, opened in that space this past September, but without the mural. 

Naperville’s Euclid Lodge was founded on October 2, 1849, which means they just celebrated their 170th anniversary last month. In honor of the occasion, they held an open house at their headquarters and rededicated the mural at its new location. You can now find “Faith, Hope and Charity” on the south wall of the Gap on Main Street. 

The mural was painted by artist Marianne Lisson Kuhn. Kuhn, who was born and raised in Naperville, is a familiar sight in the local art community. Other Century Walk art pieces she created are “Naperville Loves a Parade,” “World’s Greatest Artists” and “The Way We Were.” She has also painted several of the fiberglass sculptures that are part of the downtown scene every summer. 

“Faith, Hope and Charity” depicts George Washington and Joseph Naper wearing their Masonic aprons as well as many other symbols of the Scottish rite. 

On Washington’s side of the painting are listed notable Masons such as Winston Churchill, Wolfgang Mozart and Theodore Roosevelt. On Naper’s side are listed local notable Masons such as James Nichols, Lewis Ellsworth and Willard Scott. The first Worshipful Master from 1848, Keith Aylmer, is not listed and others on the list were not Masters at all. 

Behind Naper, Kuhn painted the current lodge meeting hall. The Masons built it in 1916-17 after outgrowing several of their earlier halls. Before 1977, the first floor housed the Naper Theater and the Naperville Running Company currently operates out of the space. During the mural rededication, the hall was open for visitors to tour and ask questions of the members.

Other places Euclid Lodge used to meet include the east part of Empire’s building, Blue Mercury (which was Starbucks until they moved across the street) and the La Sorella di Francesca building, among others. The group’s website features a nice history page with photos of the old locations and past Masters for further information.

Naperville Art: Naperville’s Own

The Century Walk initiative started in 1996 with three works of art: “River Reveries,” “The Printed Word” and “Naperville’s Own.”

“River Reveries” is a grouping of two mosaic-adorned benches across from the Riverwalk near Egg Harbor Restaurant. “The Printed Word” was originally painted on the a wall of The Sun newspaper building until it was torn down and then repainted on a wall at Ellman’s Music until it also came down to make room for Q-BBQ. The third piece, “Naperville’s Own,” is on the wall of what is currently US Bank at the corner of Washington and Jefferson.

Back in 1996, the building was a Firstar Bank and artist S. Michael Re said he was subject to some suspicious stares as he drilled into the bank’s wall to mount the sculpture.

That corner of Washington and Jefferson has long hosted a bank, although the name and even the architecture has changed over the years. Willard Scott, and later Willard Scott, Jr. started a bank in their Washington Street store in 1854. By 1907, the First National Bank was operating on that location.

Re’s sculpture celebrates one of our community’s treasures:  the Naperville Municipal Band. Originally known as the Naperville Brass Band and later as the Naperville Light Guard Band, this organization also dates from the time of Willard Scott as it was started in 1859.

The relief sculpture is meant to show band members marching through history, from the “old” bandstand on the left side to the “new” band shell. There have been several performance centers over the years. The first bandstand was built in the 1880s. You can see a replica of it at the Naperm Settlement today. It was replaced by another wooden structure in the 1920s which was in turn replaced in the 1960s by a bigger band shell. That is the one depicted on the right side of the sculpture, the one still in use in 1996.

Today we enjoy an even newer Community Concert Center which hosted its first Naperville Municipal Band concert in the summer of 2003.

Naperville Art: Reflections on Scotts Mill

The DuPage River of our downtown Riverwalk is technically the West Branch. The East Branch breaks away around 95th Street. Joseph Naper’s first endeavor in town was a sawmill that he later repurposed as a flour mill. But there was a second sawmill on the East Branch operated by Stephen Scott.

In 1825, Stephen moved his family from Maryland to Grosse Point (the Evanston area). On a hunting trip in the summer of 1830, he checked out the DuPage River and decided to relocate. They moved later that year, months ahead of Naper’s settlers.

By 1839, the Scotts were operating a sawmill on the East Branch to help the growing community build homes and shops. A flood washed away the mill in the late 1800s, but by that time the Scotts had already moved into town.

Stephen’s son Willard Sr. became a storekeeper and banker for the fledgling town and Willard Jr. continued the “pillar of the community” tradition. The impressive Italianate house on Washington Street that now houses attorneys was built in 1867 for Willard Sr.

The Scott family rests in the local cemetery — all but Stephen, the first Napervillian — and no one knows where he is buried. While in his 70s, Stephen was caught up in Gold Rush fever. He started for the west in 1849 and died around 1854, but there are no other details on record.

The Scott family’s rise to prosperity, mirroring that of the town, inspired the creation of “Reflections on Scott’s Mill.”

Chicago-based installation artist and sculptor Lucy Slivinski was chosen to create this representation of Scott’s Mill. Slivinski is known for using salvaged materials in her work and this piece features old gears, chains, hooks and other metal pieces reminiscent of a 19th century water-powered sawmill.

The sculpture welcomes visitors to the Knoch Knolls Nature Center, operated by the Park District. Indoors, there are exhibits for families to learn about nature-related topics. Outside, there are trails, bridges and picnic areas. While Scott’s mill and the family cabin are long gone, a map on the trail can give you an idea of where they were located.

Naperville Art: Man’s Search for Knowledge

At Jefferson Avenue and Webster Street is a brick wall mural called “Man’s Search for Knowledge Through the Ages.” Since the wall spans a corner of the Nichols Library parking lot, the title is absolutely appropriate.

The mural is a bas-relief sculpture, a dimensional mural carved directly into the brick face. The images “symbolize the human quest for learning through the ages” from the biblical Tree of Knowledge through explorers in outer space.

“Man’s Search for Knowledge” is the work of Mara Smith, a nationally-known artist who works out of Seattle, Washington. Smith intended to teach jewelry-making and metal-working, but was given the opportunity to create brick murals for a hotel in Dallas which jump-started a new career. Her work is displayed internationally and she has been called “the pioneer of modern brick sculpture" by the Brick Institute of America.

Smith originally created the wall in 1987, years before the 1996 incarnation of the Century Walk Foundation, but the mural was adopted by Century Walk in 1998.

More recently, Smith’s work suffered serious damage when in July of 2016, a driver in the library parking lot accidentally accelerated into the wall, knocking out a four foot by five foot section and shoving a large portion of the rest of it off its foundation.

A Naperville resident who worked for a Broadview masonry company contacted Century Walk and offered their services. They disassembled the wall, numbering each brick as they went, and rebuilt it to stabilize the basic structure.

Century Walk then contacted Diosdado “Dodie” Mondero, the artist responsible for other pieces downtown such as “Naperville Loves a Parade” and “Pillars of the Community,” to fit the brick pieces back together and re-create the pieces that were not salvageable. Mondero worked with a special effects company to match the color and texture of the replacements to that of the original brick and mortar.

The first installation cost about $42,000 back in 1987. The 2016 bill was closer to $50,000 for restoring the mural after the accident.

“Man’s Search” is only one of several public art pieces that were “adopted” by Century Walk to join the many new installations since 1996. The first 30 pieces installed focused on the history of Naperville, but later works added to this local public art “museum” have featured other themes.

December 2, 2018 was declared “Century Walk Day” by the city of Naperville. One of the celebratory events was a fundraiser for Century Walk titled “The Bicentennial Birthday Bash,” in honor of the 200th anniversary of Illinois’ statehood. Also on that day, the 50th piece of public art was unveiled in Central Park near the bandshell. “Laughing Lincoln” was dedicated on a drizzly afternoon and afterward, art and history supporters retired to Wentz Hall. Of course, the not-for-profit also takes donations throughout the year, so if you’d like to help, just go to centurywalk.org for more information.

Naperville Art: Streaming History

The five tile panels of “Streaming History” were installed in 2017 along the foundation of the Water Street development. The artist, Debora Duran-Geiger, works out of Sante Fe, New Mexico and has been creating tile murals for over 20 years. Not only are these porcelain pieces frost-free, but they are impervious to water, which was especially useful when the river overflowed this spring.

Each panel depicts a scene recalling our city’s history. They are titled: Winter on the River, Immigration Celebration, Water Street Yesterdays, Harvest Time and Commerce Comes Alive. Accompanying plaques tell a little about each panel and the donors who commissioned them.

The Commerce Comes Alive scene features business activity from Native Americans and early traders through Rubin’s Department Store, sponsored by the Rubin family.

Sam and Anna Rubin moved to Naperville in 1920. Their first business was the Chicago Bargain Store, later called the Home Department Store. The shop was on Main Street which once was Carousel Shoes and is currently Liam Brex cabinetry.

Sam and Anna lived upstairs and their son Alfred was born there in December of 1920. He was joined by siblings Norman, Lucille and Gertrude. As adults, they formed the Rubin Family Partnership, responsible for many business and civic projects in Naperville, including the namesake Alfred Rubin Riverwalk Community Center across Eagle Street from the library.

Also in the Commerce Comes Alive mural is a tile version of a photograph of some “Bridge Sitters,” a legendary part of Naperville’s past. While certainly folks have always sat on bridges, during the 1960s and 1970s, the city was very concerned about the long-haired hippie freaks that hung out on the Washington Street bridge. While many of the teens were just mildly rebellious, there was also some serious drug trouble and downtown shoppers found the crowd intimidating. Then-Officer Pradel didn’t actually mind them congregating on the bridge, he later said, because “at least we knew where they were.”

Another in-joke depicted is the tiny portrait of Brand Bobosky with his signature bow tie. Brand’s law office used to overlook the river from the building which houses Empire Burger Bar and is now a few doors down Chicago Avenue. Brand is the guiding force behind the Century Walk art initiative.

Naperville Art: Naperville Loves a Parade

On the west side of Main Street is an alley known as Rubin’s Way where the “Parade of the Century” goes by on one side, watched by Naperville citizens on the other. Some faces in the painted crowd are familiar and some are just average folk, but they all are enjoying the parade. 

“Naperville Loves a Parade” was dedicated, appropriately enough, just after the Last Fling Labor Day Parade in 2014. 

Three artists, along with assistants, worked on this mural for four years. Adela Vystejnova, who created the “Parade of the Century” on the opposite wall as well, originally lived and studied art in the Czech Republic. Diosdado Mondero, who immigrated from the Philippines as a child, also painted the “Pillars of  the Community” mural on Main Street. Marianne Lisson Kuhn was born and raised in Naperville and worked on several Century Walk pieces including “The Way We Were” and “World’s Greatest Artist.”

 Over 300 faces appear in the crowd and many local landmarks and businesses are featured as well. To be included in the mural required a donation ranging from $600 to paint in your face and up to $5,000 to depict your business’s building. About $220,000 was raised through those donations.

There was also a contest to win a spot on the wall. Folks were asked to count how many times Greg Haldeman’s likeness appears in the crowd and Lynda Reilly submitted the winning answer. 

Current businesses such Casey’s Foods, Hotel Arista and Quigley’s Irish Pub are illustrated as well as some historic businesses like Bev Patterson’s Piano & Organ. 

Naperville’s high school mascots appear in the crowd and the old Nichols Library, Martin-Mitchell Manor from Naper Settlement and North Central’s Old Main are some of the landmarks visible in the background. 

The Lima Lima planes fly overhead and there’s even a version of Michaelangelo’s “Creation of Adam” in the clouds. You could spend a good deal of time finding all the little details and it would make a nice addition to your next downtown or Riverwalk stroll.

Naperville Art: A City in Transit

On the southwest corner of the Washington Street and Chicago Avenue intersection is a large mural called “A City in Transit.” Celebrating our city’s “evolution of travel.” it was painted in 1998 by Hector Duarte and Mariah de Forest, two prolific Chicago muralists from the Taller Mesitzarte workshop and gallery.

Folks don’t travel on the DuPage River as much as over it, so a couple of bridges are illustrated. There’s also bit of the Old Plank Road which was originally a Native American trail and now is Ogden Avenue/Route 34.

1865 wooden bridge at Washington Street with 1856 stone bridge on Main Street beyond

Because of investments in the Plank Road, Naperville first refused a railroad before  eventually agreeing. In the mural, the Chicago-to-Denver Zephyr is shown waiting at the station.

Many of the buildings sport signs to help identify them. The Pre-Emption House is one and the Naperville Creamery is another.

Walter Fredenhagen started making Frozen Gold ice cream in the 1930s. With partner Earl Prince, he launched Prince Castle ice cream shops, like the one in the mural, which became the Cock Robin ice cream chain. Fredenhagen Park is now where Naperville’s Cock Robin was located, just steps away on Washington Street.

Other signs name the myriad of garages, gas stations and motor companies that used to be downtown, although that may seem strange to us today. At one time, Jimmy’s Grill was one of several gas stations and there were five different car dealers in the middle of town. Clyde Netzley opened his garage in the 1920s and later operated a Chrysler dealership just across the street from this mural where the River Square shopping center currently is.

Painted high on the wall is the Lima Lima Flight Team whose yellow T-34s were once a common sight for flyovers during parades and other occasions. The club was organized in 1975 by some folks out at the Naper Aero Club whose FAA designator, LL-10, gives them their name. Many of the original Lima Lima pilots have retired or moved away, but the team is still active and flies in airshows across the country.

Naperville Art: Volunteers Welcome

Other cities might have a “Welcome to —” sign at the city limits with service club logos. Naperville has a mural on Washington Street at Van Buren Avenue. The title has two meanings: A welcome from the city’s clubs and a declaration that Naperville loves its volunteers.

The piece by Ernest Claycomb and Jennifer Richmond is actually two installations: the originals at ground level and enlargements at the top of the wall. The original paintings were scanned and enhanced with faux architectural elements before being printed on a vinyl banner. “Volunteers Welcome” illustrates seven service clubs with long histories in town.

Rotary
Paul P. Harris started a service club in 1905 in Chicago with rotating meeting sites. Naperville’s first Rotary club was founded in 1941, followed by Sunrise in 1991, Downtown/4:44 in 2007 and After Dark in 2017. Their Harmony Park was just installed at Rotary Hill.

Lions
Another Chicago businessman, Melvin Jones, started the club in 1917. Lion’s focus on vision care dates to a 1925 challenge from Helen Keller. Naperville’s chapter was founded in 1948 and they host the annual Turkey Trot 5K.

Exchange Club
Founded in 1911 in Detroit, their national project is the prevention of child abuse. Naperville’s group started in 1987. Exchange has hosted Ribfest since 1988, but 2019 is their last event at Knoch Park as they look for a new venue.

Jaycees
“JC” stands for the Junior Chamber of Commerce launched in 1920 for young men. Women were included in 1984 and the local chapter opened in 1964. Rick Motta and the Naperville Chamber organized the Last Fling in 1966 and passed it on to the Jaycees in 1981.

Kiwanis
Born in 1915, again in Detroit, the local club was founded in 1955. Kiwanis host an annual Pancake Festival, including a showcase of junior high bands and choirs.

Woman’s Club
Started as a literary meeting of local women in 1897, the Woman’s Club provided the first books for Nichols Library. In June, they will host their 60th annual Fine Arts Fair.

Junior Woman’s Club
Nationally, Juniors were created in 1932 to encourage service among younger women and Naperville’s chapter started in 1967. They launched Safety Town programs in 1978 with Officer Friendly George Pradel and facilitated Safety Town’s permanent home in 1996.

Naperville Art - Symbiotic Sojourn

The Promenade Building, where the Naperville Chamber is located, was developed by Dwight and Ruth Yackley of BBM, Inc. in 2003. They also commissioned a bronze relief to be installed in the courtyard: “Symbiotic Sojourn.”

“Symbiotic Sojourn” was created by Jeff Adams, an artist who works out of his own bronze-casting facility, inBronze, which is located in Oregon, Illinois. He started working in a local fine art foundry when he was just fifteen years old, but pursued a degree in civil engineering before returning to sculpture. Adams also created

“Two in a Million,” the bronzes of Walter and Grace Fredenhagen along the Riverwalk and he worked with Dick Locher’s design to cast the Joseph Naper statue on Mill Street.

The idea behind “Symbiotic Sojourn” is that we have a symbiotic relationship with our home planet that needs tending. Two children are found at the feet of the woman who is the Spirit of the Earth. The girl child is trying to hold the pieces of a fracturing Earth together. The boy child is pulling a wagon piled with cans and bottles, a throw-back

image of recycling’s humble beginning.

“Symbiotic Sojourn” was inspired by Barbara Ashley Sielaff, a local recycling activist from the 1970s. Sielaff was a district teacher who also wrote a column for the Naperville Sun called “You Can Save Our Earth.” She established the Naperville Area Recycling Center in 1973 and managed it for several years before moving out of state.

After the Center closed, residents appealed to the city who tapped the League of Women Voters, the Kiwanis and the Naperville Woman’s Club, among others, to fill the void. NARC started as a not-for-profit volunteer-run drop-off center. After a while, one homeowner’s association began collecting recyclables from the entire neighborhood to drop-off at NARC. More neighborhoods followed suit, and eventually, recycling collection became a city-wide program.

In warm weather, dining patrons can sit out in the courtyard and listen to water spilling from the hand of the Spirit of Earth into the pool below. Larger than life, “Symbiotic Sojourn” is beautiful to look at, but Adams, Sielaff and the Yackleys hope diners will also bring the recycling message home.

Naperville Art: Dough- and Sailor-Boys

In 1996, the Century Walk Foundation was created by some citizens inspired by history and art. Since then, they have been instrumental in renovating or installing 50 public works of art around town. In 2019, we’ll highlight a few of them, but you can explore them all on your own.

In the park outside the train station at 5th Avenue, two World War I statues salute each other. Both were designed by Ernest Moore Viquesney, but arrived in Naperville at different times more than 80 years apart.

Viquesney’s father was a French monuments artist and stone carver who settled in Indiana. He taught the trade to his son who spent part of his career working, among other places, at the National Cemetery at the Andersonville
Civil War Prison site, before returning to Indiana.

Following The Great War (who knew there would be a second?), communities all over the country were eager to commemorate their veterans. Viquesney designed the “The Spirit of the American Doughboy” in 1920 and it was quite popular, appearing as life-size monuments, statuettes and even as a lamp base!


Naperville American Legion Post 43 purchased one and dedicated it on May 31, 1926. At the statue’s base is seven large stones honoring the Naperville sons who lost their lives in the war. A more recent plaque nearby lists all local WWI veterans.

Viquesney then designed “The Spirit of the American Navy” in 1926, but interest in the war had waned and only seven were ever made.

The years were hard on our “Doughboy” and Post 43 decided to raise funds to repair him and replace his rifle. He was rededicated in May of 2003.

In 2012, an expert familiar with Naperville’s rededication notified Century Walk that a “Navy” statue had been located. The committee purchased it the spring of 2013 and dedicated it in October.

After burying two beloved wives and facing his own health issues, Viquesney asphyxiated himself in his garaged automobile at age 70. He left behind some beautiful art, including the Tivoli Theatre, which was restored and reopened in 2013, and “The Unveiling,” the family’s burial statue, both located in Spencer, Indiana.